Some time ago I wrote an article called Questions on What Is, and What Is Not HEMA, and recently I’ve been thinking about that question a little more. Firstly, I think that a differentiation must be made between historical European martial arts, as in martial arts that were practiced historically in Europe, and HEMA, as in the modern sporting practice. Viking sword and shield, as in the styles of fighting done with a sword and shield by the Scandinavian cultures that we refer to as the Vikings today, was clearly a historical European martial art; it was a martial art used historically in Europe. However, I would also argue that it is not part of HEMA, the modern discipline.
The reason for this distinction is sources. A Norse warrior living in the 9thor 10th centuries had no need to examine written sources to see if the way he was fighting with a sword and shield was historically authentic, whereas a 21st century practitioner cannot just fight with a sword and shield and claim his method of fighting is historically authentic. They must, or at least should, use evidence to back up their claims and demonstrate that what they are doing is likely to be historically authentic.
If you spend time working on your skills in between your regular weekly sessions, your skill will develop more swiftly, and you will find yourself better able to learn from your regular lessons.
Here are five solo practice drills that you can do at home to help improve your basic skills.
Keith Farrell and Robert Schwartz (Zander) sparring with longswords at Edgebana 2015.
The “afterblow” can be one of the most contentious issues in the HEMA community, depending on the person or people with whom you speak. I used to disapprove of the concept myself, but over the last few years, I have recognised it to be a valuable training method with genuinely important outcomes. I would like to share a few of my recent thoughts on the matter.
Keith Farrell receiving a hit from Gordon Love at the AHA Glasgow Broadsword Tournament 2016. Photo by Andy Lawrence.
About a month ago, the Academy of Historical Arts ran a broadsword competition in Glasgow, with a new rule set that was quite a significant departure from other rules we have used in the past.
In this article, I would like to share my thoughts as the tournament organiser, to discuss what I was trying to achieve with the event, and what some of the results and learning points were at the end of the event.