The immediate follow-up question to the title of this article would be: “Should a modern person move like a medieval or renaissance fencer?”
Since the origins of the current period of HEMA reconstruction, debates have raged about the correct way to perform footwork and whether or not we should wear historical footwear. Some people believe that using historical footwear holds the key to understanding footwork in HEMA systems, while other people believe that it is largely irrelevant. Other people hold a point of view somewhere in the middle, perhaps thinking that it is a good idea, but just not taking the plunge to begin using historical footwear themselves.
Regardless of one’s point of view on the matter, there is an interesting observation to be made about one of the difficulties inherent in using historical footwear to inform our studies of footwork in HEMA: can we actually make any sense of what historical footwear would tell us?
Today I wanted to offer a brief set of recomendations for HEMA clothing and safety gear aesthetics. Safety gear should of course be protective, and this should be the prime concern, but we should also wear safety gear that looks professional, gives a good impression of HEMA, and also fits into the established HEMA aesthetic. We want people to take us seriously, whether they are students, potential training partners, or members of the public, we want to give HEMA a good image, and I think we should attempt to look good while doing HEMA to show respect for the discipline of HEMA itself.
Someone with a clean professional look will give off a much better impression on behalf of themselves, their club and HEMA generally. This means that we should try to present a look like this, rather than, for example, wear a mismash of badly maintained psuedo-historical gear and motocross gear. Even those wearing HEMA gear could often do something to improve their look, e.g. replacing a painted mask design with a more professional one, or replace some black items with something a little more distinctive.
Me in my current set of HEMA gear. Photo copyright of Lindsey McMahon.
As a comparison, this was my previous set of gear, which was less distinctive and recognisable in terms of national and club colours, and also had a less professional mask design. Photo coyright of Keith Farrell.
When we read a section of text from one of the historical fencing treatises, there is a wealth of information required to make the techniques work effectively. Unfortunately, much of this information is not communicated explicitly in the sources, especially in the medieval sources.
When developing an interpretation of a given passage and trying to understand how to apply the advice in practice, there are several things that must be considered. This article will try to provide some insight into the “hidden” information that we must acquire before we can make our interpretations work.
Medals and prizes from the Edgebana 2016 competitive event.
Last weekend, I attended the Edgebana 2016 competitive event, the fourth such event in Dundee. This will be a brief review of the event and my own learning points from the competitions.
There were three tournaments over the course of the weekend: open synthetic longsword, invitational Franco-Belgian, and open steel longsword. I entered all of these tournaments, and will give some brief thoughts on each.